Designers: Aashika, Virina, Shubham, Swapnil, Jude Al Majaz, SharjahResidential
Bedrooms, Washrooms, Living, Dining, Kitchen5800 sqft15 Days
About The Opaline Penthouse, a 5800 sqft 7BHK penthouse design in Al Majaz
The Opaline Penthouse is a 5800 sqft home in Al Majaz, Sharjah, redesigned for a joint family of around twelve to fourteen people living under one roof. That is the part most plans get wrong. A penthouse this size is easy to make impressive and very hard to make workable when three generations use it at the same time. So the layout was reworked rather than decorated. On the ground floor an open lounge becomes two bedrooms with attached bathrooms and their own access, screened so nothing is visible from the entrance. The lobby connects both wings, kitchen and utility on one side, a majlis style living and dining on the other, sized for the whole family to sit together. A compact lift replaces part of the staircase so older members of the household are not negotiating stairs every day. Upstairs, six bedrooms and a master suite stay largely in place, with one lounge that closes into a guest room when the house fills up.
Mood board we proposed
Why they chosen Euphoria Interiors for Residential design?
The difference is visible in every corner of The Opaline Penthouse
01
Living room
Room for everyone at once
Large family homes usually seat six comfortably and then improvise. This one is planned the other way around, with flexible seating arranged so twelve to fourteen people can sit together without anyone ending up on a dining chair carried in from the next room.
02
Majlis
Where the whole house gathers
The majlis carries the social weight of this home. It sits on its own side of the lobby, away from the private bedrooms, so guests never pass through family space to reach it, and the seating is laid out for long gatherings rather than for a single photograph.
03
Master bedroom
Private, and planned that way
In a house with eight bedrooms, the master suite has to feel separate rather than simply larger. Wardrobe and partition refinements protect that privacy, and the attached bathroom is aligned to Qibla, a requirement that shapes the layout well before any finish is chosen.
04
Kitchen
Rebuilt from the plan up
The kitchen was redesigned from scratch rather than refitted, with a new layout and an island at its centre. Existing partitions come out to open the flow towards the utility side, and the pantry gains the storage a household of this size actually gets through.
05
Bedroom-2
06
Family Sitting
07
Bedroom-1
How we designed this
Project journey
3D walkthrough
Our story
The family arrived with a long and specific list, which is the useful kind of brief. This seven bedroom interior design had to work for a multi generational household with elderly members at home every day. The ground floor lounge was to become two bedrooms with attached bathrooms and private access, screened from the entrance. The living and dining had to be majlis style and seat twelve to fourteen people. The powder room needed relocating and expanding. The kitchen was to be rebuilt around a new layout and an island. A one metre by one metre lift was to be introduced by modifying the staircase and landing, so age would not decide who used which floor. The maid's room access was to be revised from the lobby side. Upstairs, privacy partitions were needed where rooms sat too open, one bathroom door was to become a sliding door, and the master bathroom had to align with Qibla.
The difficulty on this project was never the square footage. It was the number of people with a legitimate say in it. With twelve to fourteen family members, feedback on a single room could arrive in four different directions at once, and agreement on one space did not carry over to the next. Rooms were also reassigned repeatedly. A bedroom drawn for a young couple would later be given to grandparents, which changes storage, lighting, bathroom fittings and circulation, not simply the bed. Several spaces were designed more than once for entirely different occupants. Partway through, the approach had to shift from bespoke built in furniture to loose and ready made pieces for cost reasons, and the family was clear that the look established in the original proposal should not degrade with it. Multiple designers were working across different rooms at the same time, so holding one design language across eight bedrooms, a majlis, a kitchen and two floors took constant coordination. The gap this project had to close was between what the family pictured and what the number allowed.
Euphoria Interiors started from circulation rather than from finishes. The lobby was made the spine of the plan, connecting the kitchen and utility wing to the majlis, living and dining wing, so family, guests and staff move on separate paths without a single corridor being added. The two new ground floor bedrooms were positioned and screened so no sightline from the entrance reaches them. The lift was worked into the staircase and landing rather than bolted on afterwards, because accessibility that looks like an afterthought tends to get treated like one. When the budget forced the shift away from custom joinery, the concept was translated instead of replaced. Loose furniture was selected to match the forms, tones and textures already approved, so a family that had signed off on a bespoke scheme could still recognise its own rooms. Each bedroom kept its own identity while sharing the material palette that ties the two floors together, and across several designers working in parallel that shared palette is what held the language steady. One family lounge was planned with sliding partitions so it becomes a guest bedroom when the house is full.
Brands behind the aesthetic
Creative minds behind the design
Amanda D’souza
Principal Designer
Aashika
interior designer
Virina
interior designer
Shubham
interior designer
Swapnil
interior designer
Behind the scene
Get your space designed, without the stress.
Every detail is intentional. Every square foot has a purpose.
Because true luxury isn’t just what you see —, it’s what you feel every day.
“Amanda D’souza”
Frequently asked questions
How do you design one home for twelve to fourteen family members?
You design the circulation first and the rooms second. In The Opaline Penthouse the lobby links both wings of the ground floor, so the kitchen and utility side and the majlis, living and dining side can run at the same time without traffic crossing. Private bedrooms sit away from the social spaces and are screened from the entrance. Seating in the majlis and living areas is flexible rather than fixed, so the same room holds four people on a weekday and fourteen at a gathering. Individual bedrooms are given their own identity through colour and storage while sharing one material palette. The alternative, which is designing beautiful rooms and hoping the movement between them works, is how large family homes end up feeling crowded despite the floor area.
Why was a lift added and how does it change the layout?
The family has elderly members who use both floors, and a staircase quietly decides how much of a home they can reach. A compact lift of roughly one metre by one metre was introduced by replacing part of the existing staircase, with a revised staircase and landing configuration around it. That is a structural intervention rather than a fitting, so it had to be resolved early, at the stage of producing accurate as built and proposed layouts for authority approvals. The payoff is that the upper floor stays available to everyone in the household instead of becoming the younger members' territory by default. Accessibility planned at layout stage costs floor area once. Added later, it usually costs a room.
What happens to a design when the budget moves partway through?
It gets translated, or it gets abandoned, and the second outcome is the one clients fear. On this penthouse the original direction was fully bespoke, with built in furniture designed room by room. When cost, and the possibility of the family relocating later, pushed the plan towards loose furniture, the work was not a simple swap. Each replacement was chosen against the approved boards for form, tone and texture, so the proportions and the material story stayed intact. A few things a bespoke scheme gives you cannot be bought, so the layout absorbed those, with joinery reserved for the places nothing ready made would fit. The intent throughout was that the family should still recognise the home they signed off on, at a number that made sense for them.
How large is The Opaline Penthouse and what does the plan cover?
The Opaline Penthouse covers 5800 sqft in Al Majaz, Sharjah, across two floors, and the design phase ran to fifteen days. The plan takes in eight bedrooms with washrooms, a majlis with living and dining, a kitchen, an entry lobby and an informal television lounge. On the ground floor an existing open lounge converts into two bedrooms with attached bathrooms and separate access, the powder room is relocated and expanded, the kitchen is rebuilt around a new island layout, and the maid's room access moves to the lobby side. The first floor keeps six bedrooms and a master suite, with bathroom layout adjustments, wardrobe and partition refinements, and a flexible lounge that converts into a guest bedroom when it is needed.
How is a Qibla aligned bathroom handled in a modern penthouse?
It is handled at layout stage, because orientation cannot be corrected later with finishes. In the master suite the bathroom was planned so the fittings sit in the correct orientation, and that decision then sets where the wardrobe, the door and the partition can go. One hinged bathroom door elsewhere in the home was also changed to a sliding door, recovering circulation space that a swing arc was wasting. Requirements like these are sometimes treated as constraints on a design. In practice they are useful, because they force the layout to be resolved properly and early rather than adjusted around furniture that has already been ordered. The rest of the scheme was then built outward from those fixed points.